![]() This leads to more overlapping plot lines for the strong ensemble, but it also provides a looseness to the season that’s matched by its characters’ contemplative attitudes. Giancarlo Esposito, who narrated the first two seasons before popping up in the Season 2 finale’s last-second twist, immediately instructs Sam and Lionel to “kill the narrator,” which means more within the story later on, but makes an immediate impact on the series’ rollout - without Esposito shaping each episode around one character’s perspective, Simien has to find new ways to frame each half-hour. There are plenty of new characters - played by guest stars Blair Underwood, Laverne Cox, Yvette Nicole Brown, and Flavor Flav - but the most telling changes are structural. Most of these arcs aren’t particularly powerful, but the hallucinations illustrate just one more way in which Simien wants to tell his story. Troy (Brandon P Bell) is still trying to break in as a humorist, so he’s writing for the (very white) campus comedy magazine, Pastiche, and Coco (Antoinette Robertson) is so focused on world domination she’s not taking care of herself - too much coffee, not enough sleep, and weird visions brought on when anything goes off-book. Lionel (DeRon Horton) has abandoned his journalistic passions to write autobiographical “fiction” under a ghost name, chronicling his (rather tame) sexual adventures and passing out printed recaps via his own underground zine. As one character makes clear in a bit of self-referential dialogue, this marks a conscious choice by creator, writer, and director Justin Simien to flip predetermined character traits: those who were once outspoken crusaders are now enjoying a bit of me time, for better and worse. Few are attending to Armstrong-Parker’s house meetings, finding themselves more focused on individual ambitions than collective advocacy efforts. Season 3 opens with most of Winchester University’s formerly impassioned advocates slacking on the job. While the show remains purposeful, directionless narratives snag more than just Sam. Oscars 2023: Best Makeup and Hairstyling Predictions Netflix Confirms 'The Crown' Season 6 Will Not Show Princess Diana's DeathĮarly Best Adapted Screenplay Contenders Range from 'Living' to 'Top Gun: Maverick' The case of the provacative protege cast tv#Netflix and HBO/HBO Max Lead TV Nominations for Casting Society's 2023 Artios Awards She shouldn’t be doing more with less, but more with more. That’s not entirely fair here, but sending an actress of Browning’s talents on an aimless arc about sorting through aimless ambitions is, well, not all that enriching. When a filmmaker creates a main character who’s also a filmmaker, and proceeds to write about how lost they are in their work, it’s easy to read as meta signaling - that the real-life artist is going through similar struggles, and thus dragging their work along with them. The case of the provacative protege cast series#Signs of change surface pretty quick, as series lead and lead instigator Sam White (Logan Browning) starts the new school year adrift and in search of purpose. All of these assets remain in the new “Dear White People” Season 3 (or Volume Three, if we go by the official title cards), but its inherent desire for progress brings along a mixed bag of experiments and reversals, which when viewed in total present a more thoughtful but less potent set of episodes. The provocative, oft-misunderstood title speaks to a sense of urgency all by itself, and digging into the episodes reveals vivid arguments and imagery, ambitious story arcs and directorial choices, not to mention commanding performances from a talented ensemble. “ Dear White People” is anything but apathetic. ![]()
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